Wednesday, July 08, 2026

Coursework: Summer Project 2026

The summer project is a vital element of your coursework - an opportunity to plan outstanding TikTok videos and web pages and then present it to class in September.

Your summer project contains compulsory and optional elements; everybody will be researching TikTok videos, creating a concept, writing a first draft Statement of Intent and presenting this to class as an Ignite presentation in September. However, you may wish to also plan and film elements of your production over the summer while you have time available - this is up to you.

Your AQA coursework brief is here: NEA Student Booklet - Brief 6

Summer project tasks

Complete the following tasks on a blogpost on your coursework blog called 'Summer Project: coursework planning': 

1) Research: TikTok videos

You need to write a 150-word close-textual analysis of SIX TikTok videos that will inform your production work. The TikTok videos you analyse are up to you but focus on a different aspect of media language for each one (see guidance below).  

TikTok videos

TikTok Video 1: Narrative
How is narrative used in the TikTok video and what impact does this have on the audience? Can you apply any narrative theories to the story in the TikTok video?

TikTok Video 2: Camerawork (shots, angles, movement)
Look for particular camera shots and movement - remember that movement is a critical convention of most music videos and performances and camerawork can contribute to this. 

TikTok Video 3: Mise-en-scene
What do you notice about the use of mise-en-scene to create meanings for the audience? Use CLAMPS to help you here and think in particular about how mise-en-scene is used to communicate the genre of music and the personality or brand identity of the band/artist.

TikTok  Video 4: Editing
For editing, analyse pace, transitions, the number of shots and juxtaposition. How does the video create pace and excitement - or does it create a different effect for the audience?  

TikTok  Video 5: Music Video Conventions
Think back to our Introduction to Music Video and our work on Andrew Goodwin's theory on music video conventions as part of the Ghost Town CSP. How many key conventions of music video can you find in your fifth TikTok example?

TikTok 6: Visual effects, intertextuality or product placement

Choose a TikTok video that has interesting visual effects or intertextuality and analyse the effect this creates and how it is constructed. Alternatively, you could look at product placement here and see how a band or artist has incorporated a brand or product into their video. 

You can start adding TikTok links to this shared document that should help with research and, of course,
or you are free to select videos of your choice. You may wish to write more about one video than another but as long as you have 800+ words of TikTok video research in total you will be fine. Feel free to use bullet points if this is helpful.

2) Planning: THREE TikTok video treatments

A treatment is like a script for a TikTok video - it tells the band or artist exactly what will happen in the video and the kind of style or effect the video will have. You'll need to choose what songs you are going to use at this point - remember, you can use an existing artist's work but it needs to be appropriate for the brief. 

Keep in mind, the brief does not stipulate the number of TikTok videos, only the total runtime of 3 minutes of video content in total.

For this aspect of your summer project, write a basic treatment that gives your reader a good idea of what your TikTok videos will look like. The most important thing is to keep in mind the brief - one of the TikTok videos must promote the soft drink. Other TikTok videos can feature any of the following:
  • personal information from the artist
  • replication of a social media trend (e.g. 'bees in a trap' video, ice-bucket challenge) extracts from podcasts, press conferences, red carpet appearances and/or promotional interviews
  • clips from a music video
  • any other content you feel is appropriate 
Start each of your THREE treatments with the following key details: 

1) Artists and song(s) you will use for video.

2) Original name for artist you have created - MUST be completely original

For example, Ed Sheeran - Shape of You is the artist and song you plan to use but your original name for your artist will be John Smith - Shape of You.


3) Statement of Intent

Write the first draft for your genuine 500-word Statement of Intent. This will be submitted to the exam board alongside your media products and is worth 10 marks of the overall 60 marks available.

It should explain:
  • the ways in which you will apply knowledge and understanding of media language and media representation to your products
  • how your products will target the intended audience
  • the industry context they are created for
  • how you will exploit the opportunities for digital convergence between the products
We also strongly recommend you look at our Statement of Intent questions to consider document too (you'll need to log in with your Greenford Google account to read this). 

This is just your first draft of the statement so try and keep it under 500 words if you can. That will leave a bit of room to add later when you do your next draft.

4) Ignite presentation

Prepare a 5-minute, 20-slide presentation using the Ignite format in which you present your coursework project. In effect, this is your statement of intent in presentation format. You must cover:
  • Your TikTok videos and website pages concept: your new original artist, genre, song and TikTok video treatments. Then, your print brief: title and logo for the artist's website, name of own branded new soft drink etc.
  • Media language: how you will use TikTok video conventions and website conventions - e.g. camerawork, editing, typography, layout and mise-en-scene to create meanings for your audience. 
  • Media representations: how you will use or subvert stereotypes in your TikTok video and web pages; applications of representation theory; social and cultural contexts - how your coursework will reflect contemporary media culture and society. 
  • Media audiences: your target audience demographics and psychographics; audience pleasures - why they would enjoy your TikTok video and web pages; audience theory if relevant. Consider merchandise for your music artist which could be made available through their website e.g. www.spreadshirt.co.uk (could be embeded on a web page)
  • Media industries and digital convergence: the potential record company that would promote your artist; the retail providers where you can purchase the artist's own branded new soft drink; the brand identity for your artist (consider the type of social media platforms they would feature on); how fans would engage with your products etc.
Ignite presentations have very specific rules: you must create exactly 20 slides with each slide set to 15-second auto-advance. This means your presentation will be exactly five minutes followed by questions and comments from the class. You will deliver your presentation on your coursework planning in the first week back in September.

Your Ignite presentation will be marked out of 30 on the following criteria (each worth a possible 5 marks):

1) Research (through the presentation AND your blog - make sure it is posted before you present) 
2) Coursework concept
3) Language: terminology and theory
4) Representations / social and cultural contexts
5) Audience and Industry / digital convergence
6) Presentation delivery

You can find more information about Ignite presentations - including examples - in this Ignite presentation blogpost here

Summer project deadline: all tasks above due in first lesson back in September


Summer project: optional extensions

Pre-production tasks

Some students in previous years expressed an interest in filming their video production over the summer break. This makes a huge amount of sense - far more availability of actors, much more time to schedule filming etc. If you do want to film over the summer, make sure you complete the following pre-production tasks here:

Product sketches
As it will appear in one of your TikTok videos and one of your web pages you may want to consider sketch/design your own branded new soft drink and bottle that will be promoted by your music artist.

Website wireframes
Sketch out the design of your home page and two related web pages. One page should should included promotional content for the new soft drink. 

TikTok video planning and treatment
This is effectively your script for your TikTok videos. There is guidance/links above on how to write a great TikTok video treatment.

Storyboard 
Sketch out a selection of critical shots from your TikTok videos, take a photo of the storyboard and upload it to your blogpost. What visual style are you trying to create? Storyboard sheets can be downloaded from here.

Shot list
Write a shot list containing EVERY shot you plan to film for your TikTok videos AND additional shots to create flexibility when editing. These additional shots are often close-ups, cutaways, alternative angles or similar. I advise using a simple table on Google Docs to set out your shot list - you can find a film example here. It makes sense to organise your shot list by scene or location rather than a huge list of every shot in the TikTok video in chronological order. 

Mise-en-scene
What iconography are you including to ensure your audience understands the genre you are working in? Plan your cast, costume, make-up, props, lighting and setting. This can be simply completed using your blog or Microsoft Word - the key aspect is to have planned all the critical details. 

Shooting schedule 
Plan a shooting schedule for your filming over the summer. Include when, where, who is required and what shots you will complete at each time/location. Again, this can be on Google Docs or Google Sheets or you could simply use your blog. The most important thing is that you've planned it! 

Non-assessed participants
You will need to provide a written record of all non-assessed participants in your production work (both video and print). Keep a record of everyone involved - actors, camerawork, sound etc. You will also need a keep a record of any non-original sound and note it on the Candidate Record Form - so this means the song for your music video. Keep these on your blog for easy reference when submitting your work in Year 13.

Production: Filming and photography

Once you have completed your pre-production tasks, you can film or carry out photoshoots as you wish.

Good luck!

Tuesday, July 07, 2026

Magazines: The Gentlewoman - Audience and Industries

The second part of our Gentlewoman case study explores Audience and Industry contexts.


These concepts require us to explore who reads The Gentlewoman, who produces it and how the magazine is branching out beyond print into events and online. 

Audience

The Gentlewoman describes its audience: 

“The Gentlewoman is enjoyed by confident, independent and stylish women and men from a strikingly broad range of age groups. 

“Characterised by their desire for cultural entertainment in their media, readers of The Gentlewoman enjoy the highest quality fashion, social pursuits and creative happenings.”

Media Kit
The best way to learn about The Gentlewoman's audience is via the Media Kit (you'll need your Greenford Google login to open). 



Audience theory: Clay Shirky
Clay Shirky suggests the 20th century media model “with professional producers and amateur consumers” has been replaced by a more chaotic landscape that allows consumers to be producers and distributors. The Gentlewoman is fighting back against this, offering a curated, high-quality mix of writing, fashion and photography. 

Shirky says: “We now publish first, and then filter.  We find the good stuff after the fact.” In contrast to this, The Gentlewoman is trying to offer its readers the ‘good stuff’ without having to filter it first.



Audience pleasures
There are many potential audience pleasures for The Gentlewoman readers. Applying Blumler & Katz’s Uses & Gratifications theory, three in particular would be:

Personal identity: Readers enjoy having their lifestyle and fashion choices endorsed and reflected by the magazine. The magazine promises to feature “women as they actually look, sound and dress.” 

Personal relationships: The Gentlewoman is presented as a club to be part of – literally in the sense of in-person events around the world. 

Surveillance: The Gentlewoman describes itself as “Intelligent, opinionated and entertaining, it has set a new standard in women’s magazines with its high-quality writing”. 


Industries

The Gentlewoman is published by Dutch independent publishers Gert Jonkers and Jop van Bennekom – a huge contrast to GQ and Condé Nast. 

They created The Gentlewoman as a women’s version of their “genre defining gentleman’s style journal” Fantastic Man.

Distribution
Despite being a niche London-based magazine, The Gentlewoman reflects the global nature of the media. The website and social media are major reasons for its international reach. 

Its readers are based:

UK 51%
Europe 23%
USA 18%
Rest of the World 8%

The Gentlewoman Club
The Gentlewoman Club is an international society of the magazine’s readers, which currently has up to 39,000 active members – sophisticated women and men who demand quality and originality from their agenda of cultural happenings. These loyal subscribers attend the Club’s get-togethers in substantial numbers, notified of which via the Club’s monthly newsletter
and social media platforms.

This is an example of diversification – moving beyond a print magazine to offer readers experiences and events to engage with.


Magazines: regulation
The magazines industry is regulated by IPSO, the Independent Press Standards Organisation. This is an independent regulator - effectively meaning the industry is self-regulated by the Editors' Code of Practice. We will look at more on press regulation when we study newspapers. 


The Gentlewoman: Audience and Industries blog tasks

There are five reasonably short tasks for The Gentlewoman - Audience and Industries plus some optional extension work for those aiming for the very top grades. Create a blogpost called 'The Gentlewoman: Audience and Industries' and work through the following:

1) Media Magazine feature: Pleasures of The Gentlewoman

Go to our Media Magazine archive and read the article on The Gentlewoman (MM84 - page 34). Answer the following questions:

1) What does the article suggest is different about the Gentlewoman compared to traditional women's magazines? 

2) What representations are offered in the Gentlewoman?  

3) List the key statistics in the article on the average reader of the magazine. 

4) What is The Gentlewoman Club? 

5) What theorists does it suggest we can apply to the Gentlewoman's club?

6) What does the writer of article suggest they are getting out of their relationship with the magazine?

7) Who are the team behind the magazine?

8) How does the Gentlewoman use their website and social media to promote the magazine? 

9) What are the 'creative collaborations' in the magazine? How do they 'spill over into real life'?

10) How does the article sum up the audience pleasures of the Gentlewoman? 


2) The Gentlewoman Media kit

Look through The Gentlewoman's Media Kit and answer the following questions:

1) How does the Media Kit introduce the magazine?

2) On the 'Digital' page, what different sections of the website are there and how do these offer opportunities for audience engagement and interaction? 

3) What are the audience demographics for The Gentlewoman?

4) What is The Gentlewoman Club and what does it offer readers?

5) What Creative Collaborations


3) D&AD Award Winner feature


1) How is the magazine described?

2) What does it say about the content and design of The Gentlewoman?

3) How are the readers described?


4) Business of Fashion website feature 

Read this Business of Fashion feature on The Gentlewoman - the magazine that is also a club. If you don't want to sign up to the website (free) then you can access the text of the article on Google Drive here (you'll need your Greenford Google login). Answer the following questions: 

1) What events are listed as part of The Gentlewoman Club?

2) Why does it suggest the magazine has managed to 'cut through the clutter'?

3) How are Gentlewoman Club tickets given out? 

4) What does the article say about The Gentlewoman's relationship with its audience? 

5) Why are Club events valuable from a digital perspective? 


5) Website and social media research

1) Visit The Gentlewoman's website. How does it promote the magazine? 

2) Visit the magazine page of the website. How much of the magazine is available to view online? Is this a smart marketing technique to sell print copies or is it giving content away for free? 

3) Look at The Gentlewoman's Twitter feed. What content from the magazine or Club events can you find on there? 

4) Go to The Gentlewoman's Instagram page. How does it encourage the audience to engage with the magazine? 

5) What representations of fashion and gender can you find on their Instagram page? 


A/A* extension tasks

Read this extensive interview with Penny Martin in the New Zealand Herald. It covers every aspect of the magazine and wider cultural contexts - essential reading if you want that A*. 

If you're interested in design and how the media is becoming increasingly digital then this in-depth Medium feature is great. It's a case study from a designer who converted an issue of The Gentlewoman from print to digital as a design project. Reading this will give you a really in-depth understanding of the construction, design and overall look and feel of your CSP as well as an introduction to website building and graphic design.  

Due date on Show My Homework