This micro budget British independent film is a great example of something the British film industry has produced for many years - low-budget social realism. Indeed, in the lesson you will have been taken through the rich history of British film from the Second World War to the 21st century. You now need to add to your knowledge of the industry by reading two media factsheets and completing a series of tasks:
Factsheet #132: British Film
Factsheet #132: British Film
Use our brilliant Media Factsheet archive on the M: drive Media Shared (M:\Resources\A Level\Media Factsheets) to find Media Factsheet #132 on British Film. Save it to USB or email it to yourself so you have access to the reading for homework. Read the whole of Factsheet and answer the following questions:
1) Write a one-sentence definition of what makes a film British.
2) What is the difference between a Hollywood production context and production context of a British film?
3) When did the James Bond franchise start?
4) In terms of film censorship and graphic content, what began to change in British film in the 1970s and 1980s?
5) What groups are often represented in British film? Give examples of films these groups feature in.
6) What does the Factsheet suggest might be the audience appeal of British film?
Factsheet #100: British film industry
To complete our introduction to the British film industry, we need a little more background to the industries context.Find Media Factsheet #100 on the British film industry. Save it to USB or email it to yourself so you have access to the Factsheet for homework. Read the whole of the Factsheet and answer the following questions:
1) What is the 'cultural test' to see if a film counts as British?
2) Complete the task on the Factsheet, researching the films listed and finding out what they score on the cultural test: Sweeney, Attack The Block, The King's Speech, We Need To Talk About Kevin and Skyfall.
3) What is the main problem for the British film industry?
4) What are three of the strengths of the British film industry?
5) What are the two options for the future of the British film industry?
6) In your opinion, which of these two options would best safeguard the future of the British film industry?
You have a week to complete these tasks for homework as there is plenty of work here - due next Wednesday.
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